Pia Fries (Artist) Wiki, Biography, Age, Husband, Net Worth

is a Swiss painter.

Find Below Wiki Age, weight, Height, Net Worth as Wikipedia, Husband, There is no question is the most popular & Rising celebrity of all the time. You can know about the net worth Pia this year and how she spent her expenses. Also find out how she got wealth at the age of 67. She has a kind heart and lovely personality. below you find everything about her.

Pia Fries Wiki, Biography

Date of Birth 6 October 1955
Birth Day 6 October
Birth Years 1955
Age 67 years old
Birth Place Switzerland
Birth City
Birth Country Switzerland
Nationality German
Famous As Painter
Also Known for Painter
Zodiac Sign Libra
Occupation Painter

Also Known by the Full name Pia Fries, is a Good Painter. She was born on 6 October 1955, in Switzerland

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Pia Fries Net Worth

Pia Fries has a net worth of $1.5 million (Estimated) which she earned from her occupation as Painter. Famously known as the Painter of Switzerland. She is seen as one of the most successful Painter of all times. Pia Fries Wealth & Primary Source of earning is being a successful German Painter.

Pia entered the career as Painter In her early life after completing her formal education..

Net Worth

Estimated Net Worth in 2022 $0.5 Million to $1.5 Million Approx
Previous Year’s Net Worth (2021) Being Updated
Earning in 2021 Not Available
Annual Salary Being Updated
Cars Info Not Available
Income Source Painter

Social Network

Born on 6 October 1955, the Painter is Probably the most famous person on social media. Pia is a popular celebrity and social media influencer. With her huge number of social media followers, she frequently shares numerous individual media files for viewers to comment with her massive amount of support from followers across all major social media sites. Affectively interact with and touch her followers. You can scroll down for information about her Social media profiles.

Social Media Profiles and Accounts

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Wikipedia Wikipedia
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Life Story & Timeline

2013

The viewer can easily follow the artist’s journey, as these paintings are clearly built from separate painterly “events” spread out across the clean bright void. She subtlety acknowledges–and sometimes even emphasizes–the boundaries of the rigid quadrilateral through framelike, angular elements. But these are usually pushed to the side, offering counterpoint to the graceful swooshes, ethereal spills, muscular swipes, and awkward smears that dominate and draw our eye around the work. By distributing these varied incidents around and about the snow-white surface, she creates a visual music that connects less with the symphonic harmonies of Kandinsky than with the eclecticism of contemporary sampling and music concrete. The connection to post-modern pastiche draws from the wide index of “styles” of paint application found within one work, from thinned washes that suggest watercolor and flat, thick, hard-edged stripes to upside-down drips and plenty of messy squishes of thick pigment. Her use of color is daring and inventive, swinging widely between “recognizable” standards such as baby boy blue and sun yellow and unexpected mixes of orange, white, and purple churned together then smeared into yellow wiped through with pale green. It is with panache and intelligent control that she juggles so much at once, pushing and pulling us between mark and void, light and heavy, fast and slow, horizontal and vertical, straight and curved. Pia Fries pulls it off.”

1990

Dana Friis-Hansen summarizes Pia Fries’ work in a comprehensive review: “Pia Fries is one of an emerging generation of painters whose work results from a conceptual and aesthetic wrestling match modernist painting, the dominant artistic expression of the twentieth century. Perhaps it is too easy to project Oedipal overtones to this phenomenon, but in the late 1990s, the question “Is Painting Dead?” rose (once again) from the grave where it had been buried since the 1970s. Displaced as the avant- destination of choice by more pluralistic pursuits including sculpture, installation, performance, and transmedia, painting lost its primacy. Ironically, a generation later, the most advanced and dedicated artists are drawn to the activity again, yet rather than unabashed celebration, they seem compelled to resurrect painting by killing it.

1955

Pia Fries (born 6 October 1955) is a Swiss painter. Fries was born in Beromünster, Switzerland and studied sculpture in Lucerne in 1980, and painting under Gerhard Richter at the Kunstakademie Düsseldorf in 1986. She lives and works in Düsseldorf and Munich.

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